Gabrielle de Montmollin | Portfolios | About | Contact | Art is Hell.com |
Gabrielle de Montmollin began her career in television and film before switching her interest to still photography. For many years she worked exclusively with black and white film photographing throwaway plastic toys and dolls arranged in constructed, fantasy settings. She developed darkroom manipulations using extreme bleaching and painting and drawing on paper negatives. Since realizing that digital photography did not provide her with the same creative possibilities she has been working with mixed media blending painting, drawing and montage elements with digital prints. “My art is based on imagination; I am interested in telling stories, play and mystery,” she writes in her artist statement. At times, in addition to her personal imaginings she works to find visual expression for her feelings about social justice issues and politics. Gabrielle de Montmollin has exhibited in solo and group exhibitions in Canada, the United States, Belgium, Italy, France and The Netherlands. |
curriculum vitae |
All the world's a stage: Montmollin's Dreams, Delusions, and Other Traffic Circles by Bart Gazzola, 2019 |
Art is Hell by Ann Ireland, 2018 |
Art is Hell in Welland by Bart Gazzola, 2017 |
Gabrielle de Montmollin's Imaginary Friends by Ashley Johnson, 2015 |
Review of Stephen Harper Hates Me by Leanne Unruh, 2013 |
The Fantastic, Fearless and Furious World of Gabrielle de Montmollin by Susan Swan, 2013 |
artist statement, 2009 |
Manual Labour: The Photography of Gabrielle de Montmollin by Alison Kenzie, 2006 |
The Dolls of Gabrielle de Montmollin by Roberto Roda, 2006 |
Photographs of Gabrielle de Montmollin by Ned Richardson-Little, 2004 |
interview with tomas, 2002 |
Secret Lives, an essay by Kate Regan, 1996 |
Reviews |